A Greek tragedy

The honey red heifer is birthing,
a difficult calving under monstrous
roiling dark bellied storm clouds,

She has chosen to offer up her gift,
under a twisted, gnarled, ancient tree ,
the only old guardian of the pastures.

She bellows not understanding it is necessary.
In the midst of her agony the Hyades
conspire to muffle her wild-eyed complaints.

The bowels of the fields are bulging,
constipated with swollen verdant seeds,
anticipating an elixir from above.

These grassy tarns of seasonal
vivacity will explode, grasping
the pastures fertile beckoning thighs,

a rapturous rupture of the soil, an
orgasm of awakening to satisfy
the heavenly rain spiked thrusts.

In the midst of April’s tribulation
a nocturnal nuisance has arrived,
raucous, unyielding in its annoyance.

Somewhere in the fence hedge, above
natures pious conversation, piercing
the vernal bacchanal of the night,

a feathered creature speaks in
full tenor timbre, Pavarotti incarnate,
it choruses the drama of this Greek

tragedy, played out in the amphitheater
of creation. Will there be life, or, the
tearful damning gloom of death.

Thor’s mighty hammer dispels
the Stygian darkness with crackling
light, a proctor quieting the class.

With a pause, sweet as the kiss of dew,
there is a gasp of all the calamity.
Mother Nature gathers her children, watching.

Life has arrived in a wet gelatinous
blanket, loved with soft brown eyes
and a lick for the first calf of spring.

©2014, Donald Harbour

This house

The house is speaking tonight,
commentary, with clicks and sighs.

Its mouthpiece a north wind,
moaning, as the zephyr whistles.

Then, gathering itself up
to move, with the darkness.

Somnolent solitary shifting,
as if, the night hides secrets.

Does it hide truths of the past,
a desolate sentinel of time.

Lives lived, lives lost, composted,
can its timbers remember, and speak.

A whispered reciting of life’s passage,
I do not understand its language.

An ancient part of me hears, feels, and
knows, this house dwells in all of us.

©2014, Donald Harbour

What makes her so

She approached, softly,
a pink flamingo perched
upon a frozen lake, each step
a fluid motion creating
a sensual languid moment,
the tableau hers alone,
time stopped to watch,
oceans ceased movement,
the air held its breath,
she is the whisper of mist,
lilac scented crystal dew,
a lover’s passionate sigh,
the space she occupies, a
captivating sacred temple,
where others fail, what
makes a woman so, what
magic does she possess,
in a field of weeds,
she is that one blossom
standing alone, rising
above the common grass,
her entrance silences a room,
it is not beauty, it is grace,
that indefinable essence of a woman.

©2014, Donald Harbour

Humanities legacy

For a moment I felt panic,
reaching in mankind’s pocket I found,
not a spiritual coin there,
not a cent to our name,
thus it occurred to me,
how will humankind be valued ,
what decides its weight in gold,
a child collecting for the hungry,
a minister begging for his church
a greedy banker holding forth for more,
a politician sending youth to die in war,
corporations queuing up for contracts of death,
what stain decides our existence value,
how does life weigh the human soul
is the evil of mankind more weighted,
than the purity of love and kindness,
has humanity so lost its way, that
it has become a pox upon life.
and what will give worth to it,
what will weigh its soul against destiny,
will nature turn her back on us,
lack forgiveness for our transgressions,
humanities castigation of lesser creatures,
defiling creation the essence of the eternal,
how can we find the worth of humanities name,
how will we be defined by the Celestial,
will our name become parasite, pariah,
carnivore of the cosmos, succubus,
vandal of the weak, the less fortunate, poor,
I fear our name is Dante’s king,
I fear we have grown cloven hooves,
the defilers of all that is good,
perverting spiritual beliefs,
and yet, there is a dime left,
it shimmers in the pool of tomorrow,
waiting to be grasped and spent,
a dime for our salvation, redemption,
will we spend it wisely, give it worth,
will it decide how mankind will be remembered,
finding value on the scales of the universe,
or will we be come curious fossils,
studied by our world’s next experiment.

©2014, Donald Harbour

 

Lordy, lordy it’s all good

She’s a two ton woman
in a two pound sack,
Walked out the door
she ain’t comin’ back,
Went up the river
to that Memphis town,
Got herself a new man
so she could fool around,

And It’s all good,
it’s all good, lordy,
lordy, lordy, it’s all good.

One side of my bed
hangs down to the floor,
Now I ain’t got a debt
at the grocery store,
My buddies say hey man
where you’ll been,
Without that big ole woman
they can see me again,

And it’s all good,
it’s all good, lordy,
lordy, lordy it’s all good.

Went to the bar
last Saturday night,
Found me a skinny girl
to hold me tight,
She said she would never
leave me alone,
Oh yeah, that meat is
sweeter close to the bone,

And it’s all good,
it’s all good, lordy,
lordy, lordy it’s all good.

©2014, Donald Harbour

Slaming the slam

this night is cold and wet,
an ice water rinse of clothing.
parts of me curse my inability
to find shelter, leading me to
a lapse in judgement, it is
an illustrative life event.
my only solace, a dimly lit beer tavern,
it is a  rain drop caught on the tongue
quenching a drought of understanding.
there thrust into amateur night chaos,
finding a poetry slam pit of confusion.
in a grungy corner perched on a stool
presumed poets are preaching,
spewing out denial, these floundering
disciples of expressionism, railing
against men, women, war, peace,
a rambling dirge of complaints,
they are puppies barking at nothing,
cats piteously crying for recognition.
words strung together, randomly
searching for cognitive thought,
limited by their experiences, they are
lost lunatic poetic apostles ,
wandering a wasteland of thought,
the poems dried fish divided
for the masses. their vinegar will
never be made into wine, their bread
offered is stale, pitted by the weevils
of claustrophobic boredom, the  voices
self searching plastic soul surgery.
the  beer is flat and tasteless, untouched
I return back  into the drenching night,
thankful for its companionship, once again
wrapped  in the comfort and warmth of its misery.

2014, Donald Harbour

An episodic moment

I saw a girl with rosy red cheeks,
her delight was in her innocents,
indeed a rare quality in women,
seeing her was a dun upon my soul,
a demand seeking my inner pillars,
sounding the depths of my passion,
she was white light, pure as linen,
the sun paled in her presence,
birds hushed at the sound of her voice,
fallow ground blossomed where she walked,
I know that time separates us forever,
my mind reeks with the desire of her smile,
how can I compare her to life’s reality,
she is only a vision, a dream in my head,
an episodic moment in life’s pattern,
that is what haunts me, pulls at me,
evades my days, nights, my search,
unfulfilled, unsatisfied, lost.

©2014, Donald Harbour