The princely frog, a nursery rhyme

Kiss me you witch, ribit!

Dark folded upon folded
thus the room was molded,
as a fire flickered and danced.

The midnight hour struck
as each minute was plucked,
screaming mortal time advanced.

There a foul long-nosed witch
scowling with teeth black as pitch
to a fire added peat from a stinking bog.

Then from out of the gloom
with a hop into the retched room
came a princely magical speckled frog.

The frog loudly belched, then spoke
in a commanding princely croak,
“for a kiss I’ll grant you one wish.”

“You frog leave me alone”
said the scraggly old crone,
“or you’ll be my dinners’ main dish.”

The frog was undeterred
and once again it gently demurred,
“a wish for a single kiss.”

There was an evil cackle,
the cry of a strangled Grackle
that ended in a venomous hiss.

“Alright, grant me a desire,
lest on a spit you roast ‘or this fire,”
so she puckered up and gave him a peck.

“My wish is without my broom
I want to soar around this room
now grant it you ugly warted speck.”

“Done,” said he with a wink
and quicker than a gnat eye blink
the witch disappeared with a sigh.

An incessant buzzing in the air
announced an insect coursing there,
the sound of a common house fly.

The frog opened its mouth
a long tongue suddenly sprang out
and swallowed the bug without a word.

Now the only sounds in the firelight
were the crickets chirping  in the night
and  joyously singing of a single black bird.

The frog sat before the fire
peacefully in his princely frog attire,
a most satisfied look on his froggy face.

The witch received her wished boon,
un-broomed she flew around the room
and, instead of frog for dinner, she took his place.

“Ribit!”

©2013, Donald Harbour

About the dead man and poetry

I previously posted this poem in 2010. I was asked yesterday if I knew about Dead Man Poetry. So here is my effort to emulate the originator.

This particular form of poetry was developed by Marvin Bell and his Dead Man Poetry. Mr. Bell explains it in his own words:

The Dead Man poem is a form I created a few years ago and then couldn’t shake. Dead man poems come out of an old Zen admonition that says, “Live as if you were already dead.” But you needn’t feel remorse. The dead man is alive and dead at the same time. He lives it up, he has opinions, he makes bad jokes, he has sex. Is he me? No, but he knows a lot about me. Dead Man poems come in two parts. Each line of poetry in a dead man poem is a compete sentence, long or short.

The form is comprised of two sections. One is titled “The Dead Man and …” and the second “More About the Dead Man and … .” All lines are written as sentence lines and enjambment matters quite a bit. The first two lines generally turn back on each other. The two versions seem to discover or expose different things about the Dead Man, one more internal in nature, the other external.

With apologies to Marvin Bell!

************************************************************

Live as if you were already dead.
- Zen admonition

1. About the dead man and poetry

The dead man is not a poet for he does not comprehend
the shades and nuances of meaning.
Even though he cannot understand, the dead man utters
words with weight.
Arcane in life, the dead man is the papyrus upon which
is written the prose of time.
For him time has no meaning other than dividing day from night.
He has always been and will always be the digger of incantatory
graves, the filler of assonance holes.
The mere existence of him does not create meaning for his
translation into thought lacks content.
In thought the dead man is described by lyrical cantata and
linen shrouded psalms.
There is never music in his rhyme for his speech is not
connected to the song of the universe.
Whenever there is hope, love, vision, purpose: he consumes
them from a burial ash urn.
Lacking the eyes to see other than his self, he has shunned the
visceral meat of satisfaction.
Living is not a choice or an occurrence for in living there can
be supreme gratification without desire.
Yet, for him the skill to convey profound emotional insight is
a death march through a literary nightmare.
He cannot perform his work since he has no ability to create
the most indistinct utterance of sound.
He has become a scapular shell of dried skin hanging in an
ancient stony chapel, weighted down by the chant of hooded
vicars who would utter those poetic verses he could not scribe.
The dead man has become the succulent pupa of belief that shares
no today, no tomorrow, only the injustice of the past where
there is no poetry of life.

2. More about the dead man and poetry

The dead man never could be a part of a slam.
The dead man could not produce a readable chapbook.
His only concern is the stillness and breathlessness of cold marble.
For him the dank earth is a Ginsberg elegy.
The Dead man could not withstand the withering wind of criticism
without disintegrating.
Never having acuity has given him no useful verse.
It could not be said of him that he had a poetic wisdom tooth for
dead man had lost his teeth.
When dead man is want to reason, he fails not understanding
the why.

© 2010, Donald Harbour

What makes you think you are right?

I dreamed of a night with stars above,
millions of other dreamers about me,
shod with life’s tired and worn shoes,
toeing the edge of a decaying precipice,
the next step a door between worlds,
darkness, light – damnation, salvation,
is there a choice, is destiny mapped,
when do we leave this path, to face
the calamity of our ultimate fate,
when that time comes, as it will,
how are we scribed in the book of life,
some say it is not for us to know,
still I ask, can one accept only chance,
the wrong place at the wrong time,
when is the dark angel ever right,
life snuffed by the world’s insanity,
religious fervor screaming “God is great,”
there, now you have the arbiter,
it is emblazoned on every particle,
“Bless me Father for I have sinned,”
the wafer is stale, the wine; vinegar,
the priest has dirty finger nails,
rivers of blood ooze from the Bible,
from the Koran, from every word,
from every holy book ever written,
from the lifeless lips of children,
from the souls of mothers, fathers,
from the heart of self-righteous nations,
from the bowels of despots and bigots,
from the pious pitiless, and pompous,
the void leads to a bottomless pit,
from which there is no salvation, no light.
dogma’s beast has opened its maw to eat,
all are consumed by their beliefs,
silenced, their psychopathic shrill  becomes,
a mountain of cast off, tired worn shoes.

@2012, Donald Harbour

Kingdom come

People are a disingenuous species,
Stealers, cheaters, killers, devourers.
Religious psychopaths imagining a God.
Teaching false humanity, love thy neighbor,
Unless the neighbor believes not as you, then,
destroy him in the creators name.
The hypocrisy of religion is salvation,
the cosmos cares not about beliefs,
the Creator cares only about life,
All life, even the hypocrites of life.
There is no judgement day, there is now,
there are the fish in the sea,
the birds singing in the trees,
the babble of cascading brooks,
azure blue skies with white clouds,
there is you, there is me, there is
only time flushing detritus of delirium.
The excuses for our species,
the greed, government, uselessness,
organic perversion of universal life.
We will be judged not by our accomplishments.
We will be judged on our stewardship,
and the earth is taking names.

©2012, Donald Harbour

The colors of being

I do not know when it began or when
breath gave me the French kiss of life
but, I do remember its naked entrance
awash in birthing color, red, red as blood.

Life begins with a crimson passion,
a spontaneous ignition of the soul,
a firing of the spirit’s, spirituality, an
exploding kaleidoscope of pigments.

The nurturing soil of being dusky brown,
the rich fertile nutrient of beginning, rooting
flesh to bone, skin to flesh, mind to body,
a garden of composted existence.

Knowing is a universe of eternal blue,
a velvet dark blue of limitless forever,
pulling, inviting, a challenge to humankind
to comprehend the what and why.

Opening the mind’s eye stirs awakening,
surrounded by the green of our mother,
her trees, flowers, a teeming growing bounty,
a blinding awe of her sustaining abundance.

The firmament bares burnished golden hue
the purse of eternity gathering coin,
all the things we do or do not do, the gleaming
repository of the soul’s resurrection.

©2012, Donald Harbour

Kingdom come

can one contemplate forever
forever is the eternal plain
a distance without punctuation
unending since creation began
a horizon so unimaginable
constant as the wearing of time
to tread upon it finds no end
a soul decays on the journey
relief in acceptance of the trial
the testing of a human shell
watched weighted and valued
the worth only in forgiveness
there is so much that is lost
so many drop into the abyss
that purgatory of damnation
souls used and used and used
learning until they are ready
until they know the meaning
of life and its immutable cycle

©2012, Donald Harbour

I know the meaning

I dreamed that one held the scepter
of life. Not a god, not a beast, not
a government, not the whole of the universe.
I dreamed a child and I knew the meaning.

©2012, Donald Harbour

The Archangel cometh

We own you and we will take your soul. Bet on it, buy stock.

Poets are a dime a dozen, I
cost only a penny on the cheap.
Bilbo Baggins and Robert Frost
each a copper of time pasted
upon the digital landscape of
the Internet. No written pages,
only ones and zeros defining,
recording genius, talent, moronic
diatribes, the succubus of intellect.
The decay of society in the cloud
of tomorrow. Is that your ultimate
destination, bucolic acceptance?
At what point will the reason
of the word be given over to
the Machiavellian manipulators
You sheep, you followers, naysayers,
you destroyers, you that sleep
with Eden’s snake of technology,
will kill your children, welcoming
the Archangel of Destruction,
without ever knowing you are
no longer members of humanity?

©2012, Donald Harbour

The tale of the Wizard Maerwynn

Circe Invidiosa ("Circe, abounding in env...

Circe Invidiosa ("Circe, abounding in envy") by John William Waterhouse: in the magical tradition, invidia was a danger that could be provoked or turned away by spells


For Stella, Queen of the Fairies, a magical tale.

The child stared at the man’s scarred and wrinkled face,
Her grandfather moaned settling slowly in his place.
A hearth fire glow flickered about the hallowed hall,
As shadows were cast on a rough hewn log wall.
Outside the howl of a fierce winter blizzard storm,
Beat for entry upon the house safe and warm.
She reached out a perfect tiny pink fleshed hand,
Touching the heart and life of this wise aged man.
“Poppy” she called to catch his ear,
He turned his head so to better hear.
“Poppy, tell me the story about a maiden fair,
A tale of Maerwynn with tasseled sun golden hair.”
As she spoke the name the moment seemed to sigh,
A sparkle shown in the old man’s light blue eyes.
Thus he began to weave a tale of long past glory,
The tale of how Maerwynn closed her life story.
“Twas so long ago, far, far in the distant past,
Where lived Maerwynn on the high mountain pass.
Alone with her tomes of forgotten magical lore,
Piled about her on shelves and the cold stone floor.
She had studied all there was to the dark craft,
It had taken her soul, her smile, stolen her laugh.
This life of magic had left her in a word, bored,
A failing the Wizard Maerwynn could not afford.
Flaring her hooded wizard cape she twirled about,
Strode to a parapet, with resolution stepped out.
She wished for more than the powers she possessed,
She wished for more than the gods had her thus blessed.
From her castle keep she saw the village in the valley below,
The windows of the houses lit the night with cheery glow.
She stood in the thin chilled air as it swirled with glee,
Where possessed she kept only a castle as her company.
From the parapet she heard music rising to her height,
The villagers sang and danced this festive winter night.
She was envious of their joy, their warmth and their place,
She longed to sit at their tables, to touch each human face.
Their safety and their hearts became none of her concern,
Gripped with need for her own succor, her desire burned.
She was spirit protector charged with keeping strong the spell,
That held at bay the evil rushing through the gates of hell.
The kingdom was a place of beauty – a paradise it was said,
Though all that looked toward the pass did so with dread.
Maerwynn was one of the ancients of many through the years,
The thought of her filled villagers with awe and silent fear.
Her name was not spoken lest even whispered it was heard,
Carried to Maerwynn by a spellbound black wing spying bird.
She could see beyond the forests and glide through any door,
Though never leaving her escarpment to walk the valley floor.
A captive to her magical obligation, an eternity’s yoke to bear,
Maerwynn was a hopeless prisoner to her own destiny there.
From within her a voice as beautiful as this maiden of olde,
Cast out a chant into the moonlit mountain’s frigid cold.
The spell awoke a Roc to soar up to her from a craggy knoll,
The long forgotten mythical bird grasped her weakened lonely soul.
The giant beast swooped and cried in raucous raptor delight,
Snatching her from the ramparts it flew into the starry night.
In the wink of an eye there appeared in the castle keep,
A figure dressed in scarlet, gold fringed, and silken sleek.
Surrounded by imps and fairies spreading fairy dust everywhere,
The god’s choice for the new Maerwynn had already arrive there.
Thus the Roc set her down at the village mighty iron gate,
Where she stood still in silence to accept her ultimate fate.
The gods had cast a spell upon this maiden wizard’s brow,
Her time prophesied had come, her moment was now.
As Maerwynn slipped her cloak, slowly her form slide beneath,
Accepting what the ancient gods for her had thus bequeathed.
Upon entering the realm of mortals the spell cast did take,
Maerwynn the woman now became a Plume Feathered Snake.
As she had once been she would now forever be,
No more a life far above mortal humanity,
No more a castle on the mountains high,
No more to commune with spirits coursing the sky,
No more to know the lore and magical potion books,
No more to command all eagles, ogres, dragons and rooks.
When she became consumed with what she was not to be,
She broke her kismet thus written on the pages of eternity.
Maerwynn now saw only the feet of those she had once reigned,
Slithering on her belly she was viewed with disgust and disdain.”
Then the old man smiled at his granddaughter with eyes of love,
Reaching out he touched her hair as soft as a feathered dove.
“The lesson my granddaughter; when one has such great might,
Do not covet another creature’s possessions or their meager plight.
For your wish may be granted from a fleeting careless desire,
That, once given, can consume your being in a sin of mortal fire.
Maerwynn the Plume Feathered Snake haunts forests and dales,
A hissing product of wishes granted by an oath taken and misused spells.
Be true to yourself, be proud to carry your family name,
Do not envy others, utter not oaths and do not pass blame.”
Rising the child smiled and kissed the crown of his head,
“Thank you Poppy, I like that story,” then she toddle off to bed.
The old man sat alone for a moment feeling the warmth of the air,
Barely speaking he said, “Maerwynn, I know you are there.”
Hidden in a corner recess where spirits lived in the gloom.
A Plume Feathered Snake opened haunted eyes peering into the room.

©2012, Donald Harbour

Blossoms across the sky

Fingers of light stroke the darkness,
Dancing blonde filaments of golden pollen,
Its unrelenting awakening shadow foraging,
Though the room is cloaked against intrusion,
There is no stopping this creeping tendril,
The tree of dawn blossoms across the sky,
It has a mission to transmute night,
The candles on the cake are lite, blazing,
Morning birds sing a happy birthday chirp,
The tireless bed clasps the body to stay,
But, it has lost its amour of somnolence,
Eos has opened her heavenly rosy gates,
Coating the mouth with her sticky glaze,
As a rampaging bull, day paws at the earth.

©2012, Donald Harbour